"What is most surprising about avant-garde saxophonist
Colin Stetson’s Sorrow - A Reimagining of Gorecki's 3rd Symphony is how fully it embraces the music’s inherent sweep. Stetson’s often known for bracing music, and his fans might have expected him to cut this big souffle with quinine. But from the first movement’s opening canon, with Stetson blowing long, low notes mimicking the orchestra’s double basses, it’s pretty obvious: Whatever this piece has meant to decades of listeners, it has meant something similar to Stetson. He clearly loves it, and his recreation is nothing it not a personal act of love. - Jayson Greene | Pitchfork Media"
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