Miniatures of Glauco Venier

For pianist Glauco Venier, Miniatures – his first solo album- is a kind of diary, atmospherically reflecting upon early memories, early experiences of music, and in turn casting its own quiet spell: “I grew up in a very small village in northern Italy, and I’m still living there. The Adriatic Sea is nearby, then rivers, lakes, hills. There’s a lot of silence.” There were no brass bands, he explains, in Gradisca di Sedegliano. “My approach to music, when I first discovered it, was through the organ in the local church. And I fell in love with that sound, and with the composers of music for the organ…I have memories, good memories, of playing the organ in the church, in the dark, through the cold winters.”

Several strands of influence are in fact woven together in the modestly-titled Miniatures whose eighteen tracks are episodes in an unfolding narrative. Although we hear mostly solo piano, Glauco plays gongs, cymbals and bells, the lightly-struck metals creating an attractive ambiance, at times like wind-chimes in the breeze. 

Much of Miniatures is improvised, but Glauco also brought in material, sometimes from different musical environments. “Gunam”, for instance, is a tune from singer-songwriter Alessandra Franco which Glauco had played with the author on her own album, while the Komitas and Gurdjieff pieces derive from arrangements he had drafted for the trio with Norma Winstone and Klaus Gesing. One context informs another. “Between the percussion music, the tunes from other situations, and free playing I had a lot of material prepared, at least in my mind…these three elements I felt, could account for maybe 50 per cent of the album, and the rest would be up to the spirit of the moment…”

Miniatures is an album which also should be listened as a soundtrack while reading André Aciman's touching novel or watching the unforgettable movie of Armie Hammer and Timothée Chalamet, Call Me By Your Name.

Glauco Venier | Miniatures | ECM | 2016 *****